top of page
Writer's pictureScoville Soucy

Raw and Real: The Menstrual Cramps' Latest Single 'Antagonistic' Confronts Pandemic Inequalities

The Menstrual Cramps are back, piercing the airwaves with their latest single, "Antagonistic," a fiery testament to the visceral emotions and stark realities faced by frontline workers during the pandemic. Released via Alcopop! Records, this song marks their third single this year, continuing the momentum from their impactful 2018 album, Free Bleedin’.



"Antagonistic" delves deep into the personal experiences of vocalist Emilia Elfrida, who worked in a homeless hostel amidst the global crisis. The lyrics, gritty and painfully honest, reflect the frustration and helplessness of those unable to work from the safety of their homes. The song articulates a profound resentment toward those who experienced the pandemic from the comfort of their balconies, indulging in new hobbies and red wine, while frontline workers like Emilia faced daily life-and-death situations without adequate support.

The single’s raw energy is palpable, with lines like "I resent you, working from home, with a garden, log on just to moan," which echo the disparities between different societal roles during the lockdown. The relentless repetition of "I’m a mess" amidst the backdrop of a failing system captures the emotional and mental toll on those who kept our societies functioning.


Beyond their music, The Menstrual Cramps have not shied away from activism. Their recent involvement in the Bands Boycott Barclays campaign highlights their commitment to addressing broader political issues, challenging corporate involvement in arms trading through their platform.


As the band gears up for a summer filled with festival appearances, including 2000 Trees and Bristol Pride, "Antagonistic" serves not only as a powerful addition to their discography but as a rallying cry for awareness and change in the post-pandemic world.


Listen to "Antagonistic" now and feel the pulse of real issues woven through potent lyrics and aggressive soundscapes.



bottom of page